I've come to harmonious ease (since "Outline") with her outward ramblings (still, dialog format occasionally bothers me) constantly shaken by inward restraint.

The effect maybe personal, whether to live life in a slow-bleeding-to-death fatalism or a fantastical plot full of contrivances.

Like "Outline", both books are inspiring for writers(-to-be), as if I could come up with remarkable materials from seemingly insignificant experience.

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