Art and Social Change, 1920-1950Unknown - 2003
During the 1920s and '30s and until the end of World War II, a distinctly American form of Expressionism evolved. Most of the artists in this movement, children of immigrants from eastern and southern Europe, African-Americans and other outsiders to American mainstream culture, grew up in the urban ghettoes of the East Coast or Chicago. Their art was sympathetic to the disposessed and reflected a deep concern with the lives of working people. Providing a look at this art - and the beginnings of a new movement, Abstract Expressionism, which followed it - cultural historian Bram Dijkstra offers insights into the roots of painting in modern America.
Publisher: New York : Harry N. Abrams : In association with the Columbus Museum of Art, 2003.
Branch Call Number: 759.1 DIJKSTRA
Characteristics: 272 p. : ill. (some col.) ; 31 cm.
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